Going Old School, session 1

This week, I approached my group with an idea: trying to go all the way old school, as I haven't done in a long while. Needless to say, the exact meaning of "old school" varies from person to person, and my own ideas about the subject are something I'm going to discuss in future posts. For this session, here is what I proposed: every player would start with three characters, all level 1, 3d6 in order, and they would try to survive my one page dungeon.

The chosen flavor of D&D was... not a specific one, really. I didn't think I would need many rules other than d20+Fighter level to hit, or roll 3d6 under ability for skills, etc. As for the rest, I would make things up as we went.

Character creation was quick and fun. The players - not very used to random characters - had no problems in doing it. I was quite impressed, in fact - when I said "you can choose a couple of skills, anything you want", and "pick any class", that was enough information for them. It all goes back to D&D as lingua franca, I guess.

When rolling characters, some players had terrible luck while others rolled very well, making the whole group unbalanced from the start. They were all very cool about that, no complaints at all. Even so, I gave a few levels and perks to the weaker characters to make things more equal. That was my first mistake.

They chose a few characters to be wizards and clerics. I said each of them would pick a single spell per level. Any spell. I just made them up on the spot, and came up with a system so they could use it more than once a day, instead of the "limited" original version. That was my second mistake.

Finally, I just added a few house rules to increase survivability, making the transition a little easier. A few extra HP, a merciful save vs. death system, ignoring encumbrance for those who wore leather or less, and so on. That was my third mistake (but, alas, not the last one).

The game itself was tons of fun, at least for me. I promised high lethality (another thing my group isn't used to at all- most of our campaigns last for years without a single player character dying), and would show disappointment (jokingly, I think) as the characters survived fight after fight, but the players just laughed at it instead of feeling adversarial.

They had no problem playing the game with very simple rules and lots of rulings. A wizard preferred to avoid casting spells (my system's fault), so he fought valiantly with his dagger, even after coming close to death a couple of times. One of the characters went looking for treasure in a couple of rooms - and one of them was EXACTLY in the room with the most valuable treasure in the dungeon. I tried to avoid much improvisation from my part and use the dungeon exactly was written, but once or twice I would adjust things on the fly - and that was probably my last mistake that evening, as I wasn't happy with some of the adjustments I've made.

A single character died, because the group had awakened the a mutant giant bee and he was the slowest initiative on the room. The other characters let him to die - something I would NEVER expect to happen in our regular games. For me, this was the single most exciting moment, followed closely by the (second) time the wizard got saved from death by a lucky die roll.

My conclusion after the game was that I had underestimated both the capacity of my players to try something new, and the capacity of the characters to survive the adventure. Also, the party was just a bit too big to manage at once with the rules I was using, and the enemies a bit too weak.

After asking for feedback, my players offered some constructive criticism. Most of the rules I came up with on the spot were not that good. I thought they would complain from how the combats were too simple and the characters too weak and random (they didn't get to customize the characters at all), but I was wrong. Instead, the main comments and complaints were:

* The players kinda liked the simplicity of the system - some loved it. If felt "dynamic", "like an action movie", or "like a cooperative boardgame" (and this was said in a positive way). On the other hand, my own rules were less interesting and probably too complicated - although some players said they were hard at the beginning but fine once they got the gist of it.

* They said I haven't delivered in the lethality I had promised, which is true.

* Most players felt a lack of connection and depth to the characters, when compared to the games we used to play (that would usually take a few hours in character creation). One player said character creation was "excellent", but others not so much.

Overall, the results were mixed. As a GM, I had a lot of fun, but, most of all, I feel I've learned a lot from this. Ultimately, I think most mistakes I made was because I tried making things a bit more modern than early D&D. I have my own (very new-school) system to go back to - one that most of the players liked so far - but I still wish to try my hand in this kind of "old school gaming".

What's next? Well, I will give this at least one more try. But, this time, I will restrain myself from making things more "new school". No more half measures. Instead, I'm going full "older than old", character funnel style. 0-level commoners for everybody. No skills, no classes (they can get one when they reach 1st level), few hit points, and so on.

Let's see how that goes.

The Wretched Hive, my One Page Dungeon

I submitted a dungeon to the One Page Dungeon Contest. It was a fun, challenging and rewarding experience (more about that soon). There are some AWESOME dungeons this year, as it happened in previous contests. Here is my own, in a blog post format instead of a PDF format so you can easily copy, paste and edit, and have a better view of the map.

UPDATE: This is now a full-fledged OSR module! Check it out here!

The Wretched Hive

The wretched Chaos lord Xalavor and his minions have conquered a temple of the Queen Bee, the ancient lawful goddess of Life, in order to summon, imprison and warp an avatar of the Queen. They used her power to create a fearsome hive fortress over the marble ruins of the old temple, and an army of half-human, half-insect soldiers. Now hybrid creatures roam the countryside capturing riches and people for dark purposes.

The sacred forest surrounding the temple is now home to the wandering fugitive priestesses of the Queen. If treated with due respect, they may say: 1. Do not hurt the avatar of our Queen! 2. There are hidden amulets in the temple. 3. The hybrids have a spark of divinity, but may be hostile. 4. The Queens’s honey cures wounds. 5. Bees work in the fields during the day. 6. We will send one of us with you!

Approaching the Hive during the daytime may trigger an encounter (1-in-6 chance). Roll once more if the Hive is approached near dusk or dawn, and for every half hour the adventures spend in the surroundings.

The hexes are 50 feet wide and 25 feet high, and reasonably well-lit during the day. They are made of wax and may collapse if hit by a fireball or similar attack. Red hexes are darker and fouler than others, with walls made mostly of stone and metal. Yellow hexes are cleaner and emptier. Blue hexes are littered with ruins of the old temple. Doors leading from white to red or yellow areas are harder to open.

CREATURES

Bee-people, with near-human bodies and bee-like heads and wings, can fly but cannot talk. If they lose more than half HP, they will attack with a stinger, causing double damage and then dying. Soldiers (2HD) will attack on sight, with spears. Workers (1 HD) are unarmed - they will go about their businesses and won't attack unless attacked first. Each has a 1-in-6 chance of carrying honey (heals 1d6 HP, once per day).

The wretched are the evil, sadistic demons that follow Xalavor. They might be willing to negotiate at least half the time. Imps (1HD) are small, ugly, goblin-like creatures. Ogres (3HD) are stupid, demonic brutes with clubs. Biomancers (2HD) are cunning magic-users that create hybrids.

The groups dislike each other, but Xalavor has been able to keep the peace so far (up to a point).

Random encounters have a 1-in-6 chance of taking place for each hex crossed (or additional 10 minutes spent in it), empty or not - climbing a floor from the outside and walking on roofs count as crossing an hex. Roll 1d0. In the red area, roll 2d10 and pick highest. In the yellow and blue areas, roll 2d10 and pick lowest. At night, re-roll 1s when counting creatures.

1,2. 1d4 Soldiers. 3,4,5. 1d6 Workers. 6,7,8. 1d6 imps. 9. 1 biomancer. 10. 1d3 ogres.

THE MAP

Towers 1 though 3 are bee-people watchtowers. They have 1d6 soldiers per level and doors to the outside. The ground levels have holes to the underground (no stairs). All towers have a number of levels equal to its identifying number.

Tower 4 is home to Xalavor (8HD), that can always be found in the highest floor. There are three archfiends (3HD) with fiery weapons in the third floor.

A. Entrance. 2d6 imps and an ogre will question visitors.

B. Arsenal with many crude spears and machetes.

(C). Entrance. 2d6 soldiers.

D. An alien mass of putrid flesh and tentacles (5 HD) is trapped here. The doors are sealed from the outside.

[E] Barracks. 3d6 imps, half are sleeping.

[F] Mess hall. 2d6 imps.

G. Granary and treasury.

H. A biomancer with 4 mechanical assistants (1HD) keeps an alchemy lab in this hex.

[I] Beautiful artificial flowers in the middle of the room are the trigger to a fire trap that causes 2d6 damage to everyone that cannot duck fast enough.

[J]. Prison with 4d6 human captives.

K. Empty passage.

(L) A chest full of treasure, heavy but somewhat valuable, triggers spears coming from the ground, causing 2d4 damage to anyone standing in the hex.

(M). Empty passage.

[N] Downward spiral stairs lead to the underground.

[O] The arena where the wretched fight captured humans and bee-people. The 4d6 wretched in the audience, will not notice invaders unless attacked.

<P> 6 soldiers protect a fountain of honey. Will not let humans or wretched get near, but won't attack otherwise.

(Q) 1d6+1 mummified animals (wolves, boars, etc), imprisoned by a insane hunter-bee (3HD). One is still alive and can show gratitude if released.

(R) The Queen Avatar (7HD) is a giant bee, entranced by the sorcery of Xalavor, can barely move but is able to defend herself with paws and stinger (her sting causes immediate death).

S. Empty passage.

<T> A telepathic drone-man (2HD) hidden in this hex can communicate with human and bee. He will offer his services for protection (many bees want him dead).

<U> A statue of a maiden surrounded by flowers will heal any sincere allies of the Queen if they pray or ask for help (1d6 HP, once per day).

(V) Floor will collapse if more than 8 creatures are in the hex in the same time (bee-people don't count).

W. 2d6 soldiers guard this room.

<X> Hidden treasure under a secret door in the marbled floor (4 golden amulets, valuable and sacred).

<Y> Beautiful silk tapestries.

Z. A two-headed twelve-armed mutant troll-bee (5HD) sleeps here most of the time. If awaken, it will go on an unstoppable rampage.

The underground is dark and full of demons, biomancers, and breeding pits with larvae and royal jelly. Adventures beware. If the GM prefers the whole dungeon to be underground, just flip the map, transforming towers into pits.

If Xalavor is slain, the bee-people will destroy the remaining wretched. The Queen (now free from mental slavery) will telepathically ask the adventures for death, but she will resurrect (as an ordinary bee) in less than one minute and fly away. The fortress will collapse within 1d6+6 days.

If the Queen dies, bee-people will disperse immediately. It will take Xalavor 3d6 days to summon another avatar or come up with a new use for his fortress.

Released under Creative Commons Attribution-Share Alike 3.0 (http://creativecommons.org/licenses/by-sa/3.0/)

UPDATE: If you like this, check out the expanded version on DTRPG!

Death saving throws: a quick house rule for 5e and all editions

This is what D&D Basic (5e) has to say on the subject:

Falling Unconscious
If damage reduces you to 0 hit points and fails to kill you, you fall unconscious (see appendix A). This unconsciousness ends if you regain any hit points.

Death Saving Throws
Whenever you start your turn with 0 hit points, you must make a special saving throw, called a death saving throw, to determine whether you creep closer to death or hang onto life. Unlike other saving throws, this one isn’t tied to any ability score. [...]
Roll a d20. If the roll is 10 or higher, you succeed. Otherwise, you fail. A success or failure has no effect by itself. On your third success, you become stable (see below). On your third failure, you die. The successes and failures don’t need to be consecutive; keep track of both until you collect three of a kind. The number of both is reset to zero when you regain any hit points or become stable.
Rolling 1 or 20.When you make a death saving throw and roll a 1 on the d20, it counts as two failures. If you roll a 20 on the d20, you regain 1 hit point.
Damage at 0 Hit Points.If you take any damage while you have 0 hit points, you suffer a death saving throw failure. If the damage is from a critical hit, you suffer two failures instead. If the damage equals or exceeds your hit point maximum, you suffer instant death.

Well, it is not a bad rule, but not one I am very fond of either. I don't like is the idea that "a success or failure has no effect by itself". which apparently means they don't represent anything other than extra chances to get well. Also, I avoid the whole concept of "roll many times for the same purpose".

Instead, try this idea that I have adapted from my own RPG, Days of the Damned (although I'm sure someone, somewhere, must have thought of this before). If you don't play 5e, "disadvantage" means basically rolling 2d20 and picking the lowest (you can use a -4 penalty instead, or whatever works in your game).

If you are reduced to 0 hit points, make a death saving throw. Failure means you must tick one of three boxes: unconscious, disabled (which means incapacitated, disadvantage to everything, something from 3e, or whatever you like) or dying. When you tick all three, you're dead. Whatever rules you used for immediate death still apply (-10 HP, -CON HP, massive damage, etc).

You make no further death saving throws, unless: a) you are dying, b) you're incapacitated and decide to take any action, or c) you take more damage.

Success in this saving throw has no immediate effect (there are no "success boxes"), failure makes you tick another box. There is no stabilization or gaining 1 HP without healing, although you can heal yourself if conscious, or wake up unconscious (either one taking 1d4 rounds with help). You still take a while to be ok: for 1d4 hours, you have disadvantage in all rolls, including death saving throws.

Alternatively, just leave the ticks until you get decent healing, but they are only in effect when you're at 0 HP.

But what box should I tick first? Choose whatever fits your tastes:
* Choose randomly (1-2: unconscious, 3-4: disabled, 5-6: dying).
* The player chooses.
* Depends on where you were hurt (head: unconscious, limbs: disabled, torso: dying).
* Depends on how you where hurt (concussion/bludgeoning: unconscious, cutting/burning: disabled, poison/piercing: dying).
* Combine two or more (choose randomly, but roll 2d6 and pick lowest if the head is hit, etc).

What's the point?
The idea is providing more variety, giving more options to the characters (that can consciously choose to fight to the death), and, specially, allowing for dramatic "conscious but dying" scenes.

Andre Norton and the 9th Level Fighter

When a Fighter reaches level 9th in some of the "classic" editions of D&D, he may become a leader of men. Here is how Daniel Proctor's Labyrinth Lord puts it:

Reaching 9th Level: At level 9 a fighter may become a great leader of men, taking control of a parcel of land and a leadership rank in his society. A fighter will, assuming money is at hand, build a castle. He may ultimately control several villages and towns, but must be a good, strong leader and provide protection.

That isn't an aspect of D&D I haven't explored much in my games. I think most of my players prefer adventuring over managing parcels of land unless we're playing a "noble families" campaign, and building castles never sounded as much fun as taking them.

Andre Norton's short story The Toads of Grimmerdale, one of the most "D&Dish" things I have read recently (even compared to some other books in appendix N), has this interesting bit:

“It is in my mind that Nordendale needs a lord, one to give the people heart, rebuild what man and time have wasted. I have come north seeking a chance to be not just my own man, but to have a holding. I am not like Urre who was born to a hall, and drinks and wenches now to forget what ill tricks fortune plays.

“Who my father was—” he shrugged, “I never heard my mother say. That he was of no common blood, that I knew, though in later years she drudged in a merchant’s house before the coming of the invaders for bread to our mouths and clothing for our backs. When I was yet a boy I knew that the only way I might rise was through this—” he touched the hilt of his sword. “The merchant guild welcome no nameless man, but for a sword and a bow there is always a ready market. So I set about learning the skills of war as thoroughly as any man might. Then came the invasion and I went from Lord to Lord, becoming at last Marshal of Archers. Yet always before me hung the thought that in such a time of upheaval, with the old

families being killed out, this was my chance.

“Now there are masterless men in plenty, too restless after years of killing to settle back behind any plough. Some will turn outlaw readily, but with a half dozen of such at my back, I can take a dale which lies vacant of rule, such as this Nordendale. The people there need a leader, I am depriving none of lawful inheritance, but will keep the peace and defend it against outlaws—for there will be many such now. There are men here, passing through Grimmerdale, willing to be hired for such a purpose. Enough so I can pick and choose at will.”

By the way, if you haven't read Andre Norton yet, you probably should. Her stories have everything: old ruins, ancient alien gods, clerics of lawful religions, dark pacts (with nefarious consequences), saving throws, war, tragedy, adventure, multidimensional characters... and many things that might make you eager to play a 9th level fighter, or any number of different characters.

Of Rules and Halberds

There are many reasons to like old school D&D, including the oft-cited “simplicity”. Even though it isn't one of my first criteria to find out if a game caters to my tastes, I do appreciate some of the perceived simplicity of older editions.

For example, I have a hard time wrapping my head around big lists of skills, specially in D&D. I like 3rd edition, but every time I read “Use Rope” on a character sheet I remember why I probably will never play it RAW again. GURPS and Burning Wheel, two games I appreciate, have the exact same problem for me.

Feats are even worse - like the concept, hate the sheer number of options with all the complexity they bring. I get bored before I can read a dozen of them. Repetitive ones with little difference from each others are the worse. Even spells, which are meant to be awesome, can become dull lists of numbers, specially in in some editions (Wiz 3, 400 ft. + 40 ft./level, 20-ft.-radius, 1d6 per level, just to mention a famous one).

But the original game is not that simple, either. For example, I am not a fan of calculating XP, specially if I must add 10% for prime ability and then multiply it by 5/8 because my character is an 8th level wizard fighting a 5th level monster. I understand the idea behind traditional XP rules, but I think it could be made simpler without losing much utility.

And earlier editions could be astonishing complex, sometimes even more than later ones. The first supplement to D&D, Greyhawk, differentiates weapons by efficiency against armor, damage, damage against large opponents, space required, and so on. Because of Gary Gygax's well-known appreciation for polearms, first edition would have about a dozen of slightly different ones.

First edition weapons table.

So maybe early D&D isn't the place to go looking for simplicity. But that's ok; my own tastes are not that minimalist as well.

For example, I do like monsters. Lots of them. Reading about new, well-written monsters is always a pleasure to me. And unique characters, bizarre laws, strange customs, forgotten deities, mysterious religions and crazy factions.

I also happen to love medieval weapons. And armor. And how weapons interact with armor. And how fast, strong, and versatile each weapon is (even though 1e gets too complex for my tastes). Specially swords - I'm not a fan of having too many polearms, to be honest.

That's why I think that “rules light” and “rules heavy” aren't the best terms to describe my favorite playstyle. The games that I like the most are often both too simple and too complex at the same time, so I have to change them until I make them my own.

Detail should be where the heart is; the rest is often uninteresting.

That's also why I think I'll never be able to stop reading (and writing) new games, new house rules, new blogs and so on. I'm just too interested in new ideas for roleplaying games. And if you love polearms, there is no such thing as too many of them.

Brainstorm in a Jar: Dynamic d10 Initiative

Here's is my new post, it's just like the old post… but using d10s instead of playing cards. I've decide to reproduce most of the material to to make reading it and referencing it easier. To save you the trouble of reading it all again, I've put the most important of the “new stuff” in italics. So, if you want to see the whole picture, read it all. If you've read the previous article, you might want to read the italics only.

The idea behind this system is that every combatant is trying to find a good moment to attack (or act), and faster characters get better opportunities. The goal is making things unpredictable, dynamic, and tactical.

In the begging of each round, each player rolls a d10. Rounds last for about 10-15 and are divided in 10 segments, each one lasting about a second. Characters who roll a 1 act on segment 1, and so on. Every action has a duration in segments, usually 4.

Immediately after taking your action, roll another d10. If the new number is equal or higher than your number card plus the duration of your action, you can take an extra action in this round (when the segment corresponding the new number comes up). If it isn't, you can keep the new number for next round, if you wish. For example, if you played a 4, and took an action with a duration of 5 segments, you can act again if you draw a 9 or 10. 

If you roll the exact same number of the segment you're in (another 4, in our example), you can choose the result you want. Manually set the new dice to the chosen segment - segment 9, for example.

No more than three actions can be taken each round, which can be managed by looking on the number of dice in front of each player (so, everyone should set apart three d10s for this sole purpose) .

There is no problem in finishing an action on segments greater than 10 (this "extra segments" are somewhat abstract), and it doesn't affect next round, but your last action cannot finish in a segment greater than your first dice plus 12. Thus, if the first number you rolled is a 3, you cannot start an action in segment 10 that takes more than 5 segments.

When a new round begins, everybody rolls a new dice (the ones who kept a dice from the last round may chose which one to keep), and so on.

Although this looks like a "second-by-second" breakdown of the encounter, it involves quite a bit of abstraction to make things run smoothly. Because of that, you resolve each action on the segment it begins, although it can be interrupted in the middle.

And… that is it, basically. You can use or ignore the optional rules below, depending on the system you're using or the effects you're looking for.

ACTION SPEED

Movement: 2 segments for a 5-feet step, 4 segments for a half move, 8 for a full move, 12 for a double move.

Weapons: 4 segments for a "medium speed" weapon, 2-6 for other weapons (2 if unarmed, or if you have a longer weapon than your opponent and hasn't been hit by him yet). Bows twice the time to draw and shoot, crossbows take half the time to shoot and twice to draw.

Spells: equals to spell level+2.

The GM will decide on the duration of other actions.

You can add a simple, quick action, such as taking a single move or drawing a blade, to other, more complex, actions. Just add the durations. The GM has the final word, but the idea is that if no dice are rolled because of your action you don't need to use an additional card. For example, you can move and attack, although you have a good chance of being interrupted in the process (see below).

DELAYING AND CHANGING ACTIONS

To delay an action, when your segment comes up say you'll wait for something to happen - an attack on yourself or an ally, a move by an specific opponent, etc. If that happens, you can act on any given segment after that. If you rolled a 2, and act on segment 7, for example, you action may end on segment 11. If you don't want to declare your action right now, you can roll and extra die, as if you had just taken a 1-segment action.

Likewise, actions can be changed at any time before they are finished, but the change takes one segment (so, if you change your mind on segment 6, you can act on segment 7, without rolling an extra die).

INTERRUPTING

You can interrupt an enemy if you can finish an action before him. You must declare this the moment the opponent declares his action. For example, if he attacks you on segment 4 with a two-handed axe (speed 6), he will hit you on segment 10. If you act on segment 5, you can hit him with a knife before that. Even if he survives the attack, enough damage (let's say, 10% or more) can cause an ill effect. Some suggestions: spell interruption, -2 penalty to a roll, movement is halted, etc.

You can use you interruption to defend yourself or an ally. This depends on the system you're using. One example: a parry grants +2 AC.

Interrupting is about disrupting your enemy's action. You cannot simply walk away in the middle of an attack.

Optional rule: if you want to interrupt an opponent but your dice doesn't allow it (and its segment is yet to come), you can trade your number, rolling again, but the new die MUST be used to interrupt. If the new die doesn't allow it, you cannot use it.

TIES

If it matters at all, give them to whoever started the action first (in the event of interruptions), or flip a coin.

SURPRISE

Surprised characters roll no dice in the first round.

DEX MODS

DEX mods apply only to the first die you play. If you have DEX +2 and your first roll is a 5, manually adjust it to a 3. If you roll a 1, the bonus is useless unless you use the option below.

Another option is to let players roll one extra die for each +1 in the beginning of the round, choosing the best and discarding the rest.

MULTIPLE ATTACKS

If a character has multiple attacks, he may take all his attacks in his turn. Depending on the edition you are using, you can use special cards or specific suits to represent additional attacks instead, although exact balance becomes difficult.

SPECIAL NUMBERS

When using playing cards, we suggested adding some special effects to specific cards. If you like the idea, you can assign special effects when two identical number are rolled. The first effect, as we've said before, is allowing you to act in any segment. Other effects that can be chosen randomly or by the player are:

1 - Allow you to act on segment 0 (only applies in the beginning of the round).

2 - Any hit is a critical hit.

3 - Take an action using two segments less than it usually takes.

4 - Get a +2 bonus to your action.

5 - Immediately get an extra attack.

6 - Get a +2 bonus to AC if you defend.

And so on.

IN CONCLUSION... WHAT'S THE POINT?

Because the best course of actions depends on the d10, circumstances change from round to round. This forces you to be a bit creative instead of using the same attack round after round. Some of the effects I expect to achieve:

- With the dice on the table, initiative is easy to track.

- Everybody can act every round, and some people will act more than once in some rounds, but not too often.

- No additional rules needed for fighting with two weapons, opportunity attacks, etc.

- Things such as kicking an opponent before striking with your sword, throwing a dagger at a wizard in order to stop his mighty spell (because otherwise you cannot reach him in time), moving cautiously toward an enemy, using low-levels spell at high levels, waiting for your adversary to act first, and trading defense for offense become viable tactics.

COMPARING THE TWO SYSTEMS

There is no big difference between the systems. The d10 makes it easier to physically adjust the segments, but I think playing cards make things easier to track and avoids accidents (such as one die bouncing on another). Since many people would object to adding playing cards to D&D, I've adapted that system to a more traditional d10 system, reminiscent of AD&D - that is where I got my inspiration in the first place.

Brainstorm in a Jar: Card Initiative

After some brainstorming on the subject, here is a complete initiative system using playing cards and segments. It is intended for D&D, but can probably be used with other systems with some tweaking.

The idea behind it is that every combatant is trying to find a good moment to attack (or act), and faster characters get better opportunities. The goal is making things unpredictable, dynamic, and tactical.

In the begging of each round, each player draws a card. Rounds last for about 10-15 seconds and are divided in 10 segments, each one lasting about a second. Characters with an ace act on segment 1, deuces on segment 2, and so on. Every action has a duration in segments, usually 4.

Immediately after taking your action, draw another card. If the card is equal or higher than your current card plus the duration of your action, you can take an extra action in this round (when the segment corresponding the new card comes up). If it isn't, you can keep the card in your hand for next round. For example, if you played a 4, and took an action with a duration of 5 segments, you can act again if you draw a 9 or 10. No more than three actions can be taken each round, which can be managed by looking on the number of cards in front of each player.

There is no problem in finishing an action on segments greater than 10 (this "extra segments" are somewhat abstract), and it doesn't affect next round, but your last action cannot finish in a segment greater than your first card plus 12. Thus, if the first card you played is a 3, you cannot start an action in segment 10 that takes more than 5 segments.

When a new round begins,the cards on the table are shuffled, everybody gets an extra card, chooses what card to play (if they have more than one), and discards any remaining cards.

Although this looks like a "second-by-second" breakdown of the encounter, it involves quite a bit of abstraction to make things run smoothly. Because of that, you resolve each action on the segment it begins, although it can be interrupted in the middle.

And… that is it, basically. You can use or ignore the optional rules below, depending on the system you're using or the effects you're looking for.

ACTION SPEED

Movement: 2 segments for a 5-feet step, 4 segments for a half move, 8 for a full move, 12 for a double move.

Weapons: 4 segments for a "medium speed" weapon, 2-6 for other weapons (2 if unarmed, or if you have a longer weapon than your opponent and hasn't been hit by him yet). Bows twice the time to draw and shoot, crossbows take half the time to shoot and twice to draw.

Spells: equals to spell level+2.

The GM will decide on the duration of other actions.

You can add a simple, quick action, such as taking a single move or drawing a blade, to other, more complex, actions. Just add the durations. The GM has the final word, but the idea is that if no dice are rolled because of your action you don't need to use an additional card. For example, you can move and attack, although you have a good chance of being interrupted in the process (see below).

DELAYING

To delay an action, put your card on the table and say you'll wait for something to happen - an attack on yourself or an ally, a move by an specific opponent, etc. If that happens, you can act on any given segment after that. If you play a deuce, and act on segment 7, for example, you action ends on segment 12. If you don't want to declare your action right now, you can draw an extra card, as if you had just taken a 1-segment action.

Delayed actions can be changed at any time before the round is finished, but the change takes one segment (so, if you change your mind on segment 6, you can act on segment 7, without using an extra card).

INTERRUPTING

You can interrupt an enemy if you can finish an action before him. You must declare this the moment the opponent declares his action. For example, if he attacks you on segment 4 with a two-handed axe (speed 6), he will hit you on segment 10. If you act on segment 5, you can hit him with a knife before that. Even if he survives the attack, enough damage (let's say, 10% of Max HP or more) can cause an ill effect. Some suggestions: spell interruption, -2 penalty to a roll, movement is halted, etc.

You can use you interruption to defend yourself or an ally. This depends on the system you're using. One example: a parry grants +2 AC.

Interrupting is about disrupting your enemy's action. You cannot simply walk away in the middle of an attack.

Optional rule: if you want to interrupt an opponent but your card doesn't allow it (and its segment is yet to come), you can trade your card, drawing another, but the new card MUST be used to interrupt. If the new card doesn't allow it, you cannot use it.

TIES

If it matters at all, give them to whoever started the action first (in the event of interruptions), or flip a coin.

SURPRISE

Surprised characters get no cards in the first round.

DEX MODS

DEX mods apply only to the first card you play. If you have DEX +2 and your first card is a 5, you can act on segment 3. This may allow you to act on segment 0 but not negative segments.

Another option is to let players draw an extra card for each +1 in the beginning of the round, choosing the best and discarding the rest (because of special cards, this is quite powerful).

MULTIPLE ATTACKS

If a character has multiple attacks, he may take all his attacks in his turn. Depending on the edition you are using, you can use special cards or specific suits to represent additional attacks instead, although exact balance becomes difficult.

SPECIAL CARDS

Since you are using playing cards, add special effects to taste. Make them cool and easy to remember. Here are some ideas.

* FACE CARDS can be used to act in any segment you choose, but cannot be used twice in a row.

* When you attack using THE ACE OF SPADES, any hit is a critical hit. If you want to get fiddly, assign special effects to each suit.

* AND DON'T FORGET THE JOKER! It allows you to act in any segment, and choose a special effect: act on segment 0, take one action 2 segments faster than normal (minimum one segment), get a bonus on your action, etc.

The only card you need.

IN CONCLUSION... WHAT'S THE POINT?

Because the best course of actions depends on the cards, circumstances change from round to round. This forces you to be a bit creative instead of using the same attack round after round. Some of the effects I expect to achieve:

- With the cards on the table, initiative is easy to track.
- Everybody can act every round, and some people will act more than once in some rounds, but not too often.
- No additional rules needed for fighting with two weapons, opportunity attacks, etc.
- Things such as kicking an opponent before striking with your sword, throwing a dagger at a wizard in order to stop his mighty spell (because otherwise you cannot reach him in time), moving cautiously toward an enemy, using low-levels spell at high levels, waiting for your adversary to act first, and trading defense for offense become viable tactics.

ADDENDUM: BUT I DON'T LIKE USING CARDS FOR INITIATIVE!

If that's your case and you've read this far, congratulations! And don't worry, I got you covered.