Castlevania: Symphony of the Night

In a small outburst of nostalgia,  I have spent most of my day playing Castlevania: Symphony of the Night (SotN).

Seems like a good topic for All Hallows' Eve month...

In the unlikely possibility that you don't know this game, "Symphony of the Night is considered one of the greatest and most influential video games ever made". 

You can get it in PS4 and probably other platforms - the graphics and mechanics might be a bit outdated compared to modern games, but I still had fun with it today.

It has several similarities to other stuff we discussed in this blog -  mostly Ravenloft and Dark Souls.

Cool monsters, gothic vistas, limited items, non-linear maps, living furniture... all the fun stuff. 

There are also a few ideas that would be fun addition to my games...

Playing with different characters/weapons

SotN starts with a boss battle that takes place a few years before the beginning of the actual plot - a repetition of the last fight of the previous game. You play with a different character (different weapons and all) against the main villain! 

This is a battle you cannot lose due to a little help from an ally, but it foreshadows things you'll see later on (also, you can get several perks if you defeat the monster without help).

[Notice that the first character you play is an heir to the Belmont clan - the heroes of previous installments - so there is a continuity here too].

Then you get to play with Alucard (Dracula's son, also introduced as a "supporting character" in a  previous game). 

The game is very easy at first - enemies barely hurt you, and one hit of your heirloom sword is enough to destroy them. And right after that... you get all your equipment stolen!

Eventually, you can play with other characters - an aspect that I always enjoyed in Castlevania games.

Most D&D games go "from zero to hero", making you progressively more powerful (sometimes, to redundantly give you more powerful enemies). 

Allowing you to play with different PCs (or a completely different arsenal) might give you a nice taste of things to come... as suggested in the DMG.

Limited access to equipment

Like Dark Souls, the game gives you limited access to equipment at first (after you get your stuff stolen!). You can gather some money, but it will take a while until you can find someone that can sell you stuff.

This is an aspect of Cruse of Strahd I should have highlighted a bit more - there is treasure to be found, but not much to buy with it.

But in most D&D games you get so much money that you can get any ordinary weapon or armor by level 3 or before; after that, only magic weapons make a difference.

Making PCs suffer a bit for for their gear might make items more valuable and appreciated.

Monster variations

I might have mentioned this before, but I think monster variations are underused in D&D.

I used to like having hundreds of monsters, but it makes the world too random. That is why I focused on monster types when writing Teratogenicon.

You can make a much more coherent setting/dungeon using fewer monsters and many variations. A group of skeletons in chain, shooting bows from afar, are a different challenge from your usual skeleton mob - even if the stats are similar.

A more interesting setup is pairs of different monsters, with different abilities - one of he first boss battles in SotN includes a flying demon carrying a skeleton creature (picture above), and later on you had to fight a minotaur and a werewolf at the same time.

Another variation is monster phases. When the skeleton-thing (above) loses his weapon, he attacks with his beak. Dracula will eventually transform into a big demon when wounded, etc.

If you want to use various monsters, at least give them a theme. Plant monsters, various types of undead, mutant/leader/boss versions of common monsters, etc.

Having a dungeon with adjacent rooms of skeletons, then goblins, then giant bats, with no explanation is baffling and irritating.

Revisiting places

One of the fun things about SotN is that after you "finish" the castle, you have to face it again... this time, upside down!

(This might be where I got the idea of suggesting The Wretched Hive can be turned upside down if you need an underground dungeon).

You get to see things (literally) from a different angle. Places that were unreachable are not available, and vice-versa. The challenges are new, yet familiar.

A similar thing happens when you can turn into a bat, mist, etc. - now you can get to places you had seen but couldn't reach.

In most D&D games there is not much to do with a dungeon after you "clear" it (except, maybe, for some mega dungeons). 

It might be fun to do the same with dungeons. They don't need to be turned upside down - they can be flooded, invaded by a different faction, remodeled, or changed by an earthquake. Maybe certain areas require high level spells to access - an unlockable door or unreachable platform.

Again, it is something I attempt in The Wretched Hive - some high-level areas are hard to reach without flying, a key, or specific spells, although most of the "main level" can be faced by beginning PCs. I also included some notes on repopulating/revisiting the dungeon, but they are brief.

(Needless to say, dungeons should also be non-linear and Jaquayed in many ways. BTW, Jennel Jaquays is going through severe illness ATM and needs help).

Recurring places, characters, names (Belmont), monsters... these things give coherence to the game, and I should probably use them more often.

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The Pendragon campaign of my dreams

I don't remember playing The Great Pendragon Campaign. 

I played a few Pendragon campaigns decades ago, but I don't recall what they were about and I do not know if the Game Master used this book.

Anyway, this night I had a dream about a campaign which seemed to come from Pendragon or Game of Thrones (I ran a GoT campaign that ended horribly a few years ago).

I'll write the main ideas down so I don't forget... Adding some thoughts I had a while ago. If you know where I'm getting this from (maybe Pendragon, GoT, history or elsewhere), let me know in the comments!

[I'm sorry if you came here looking for an actual Pendragon campaign - I think it is a great system and setting but this is just a vague idea for now!]

I think this doesn't take place in Britain; I was thinking of a fantasy setting and not as island (when I woke up I though of Portugal and Spain).

However, using Britain or Westeros has a huge advantage: the players are familiar with some of the lands and characters.

Act I

The kingdom is a bit chaotic. The king is weak, but fortunately some of the local lords are strong enough to protect their lands. Still, there are bandits, barbarians (saxons/vikings/etc.) and robber barons to deal with. The PCs are low nobility at first, but with the turmoil they have significant chances of gaining glory and titles as many people perish in the struggles.

Maybe the kingdom is still to scattered and the roads are in a state of disrepair. Papers are not reliable enough to tell rightful owners from usurpers. And usurpers will occasionally be nicer to peasants! I imagine PCs going to abandoned castles and lands to put things in order as they can.

During this time, PCs must make allies and get to know all nobles. These alliances are not friendships, they are meaningful - PCs have brothers and sisters marrying NPCs (they could marry and have children in order to gain more titles, etc.). They might fight side by side with good and bad NPCs against obvious threats. 

There could be fun tournaments and banquets as things get better.

Ideally, players would occasionally play some scenes as the NPCs so they can understand their perspectives a little.

There are no obvious "sides" yet, but there are some guys that seem decent, others that seem to be pricks. 

Act II

The kingdom is pacified, the roads are repaired.

A new, strong king rises. I don't know how - maybe trough marriage, or by showing extreme valor against invaders. Eventually, the kingdom becomes divided, because the southern portion opposes the new king.

War is close - and the PCs allies are on both sides! The PCs themselves are right in the middle, and they must either choose a side or try to de-escalate the conflict somehow. Of course, they are those who are willing to fight regardless of consequences!

Again, there is no "right" versus "wrong". Both the king and the separatists have valid claims. Maybe lawyers should be consulted (and bribed, threatened, kidnapped, etc.). 

Maybe the PCs are older now, and there are young knights that want to take advantage of the turmoil as the PCs did in the past. They want their glory too, and they won't find it in peace!

Act III

An uneasy truce is achieved somehow. Just then, the (now unified) invaders take the opportunity to make an attack. People who were enemies a few minutes ago must now unite or perish. Some will side with the enemy.

This is not about glory or even land anymore - it is about survival. The PCs are probably older now and will not "level up" anymore - on the contrary, they suffer the effects of aging, maybe death (so they play as heirs, etc.).

This is the "Excalibur" phase, or the Fall of Constantinople. Dark, heroic and tragic - especially because the players now care about the world and its characters.

---

Other loose ideas [will add as they come]:

- In tourneys, it is expect that opponents yield before serious injury. Some opponents will fight to the death. Sometimes, the PCs must choose if they'll spare an opponent. There WILL be accidents. There will be people looking for vengeance even when the rules were followed.

- These would need tracking dozens of NPCs, multiple fiefs, several years. Not sure me and my players are up to the task.

- Religion, family, friends, oaths, debts, can all add layers of "Mixed Allegiances".

- To keep PCs close, they might be all from a similar region that is specially ruined on act I, so they can grow and conquer it from usurpers etc. 

- Castle of Dread: a haunted castle, created by a mad king/baron, mostly abandoned. The home of gothic horror, but not necessarily supernatural: could be a haunted, swampy land with no intrinsic value except as a "safe" haven in time of great need. think Harrenhal, Gormenghast, etc. gothic themes that do not involve monsters are: "cursed" families, oppressive nature, insanity, etc.

- I'm a bit tired of fantasy, but maybe I could check Cthulhu Dark Ages (currently on sale) for a twist on act III? These guys are the real invaders...

- I like House of the Dragon (even if I'm not a fan of the book), so maybe set Act III there would be nice. This is pretty good as all my players are fans of GoT and would immediately recognize names such as "Lannister", "Stark", etc. Of course, messing with "canon" has its own difficulties. Aeny's reign is interesting too. Let me know if you know other good settings/periods!

Anyway... could be fun.

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Adding a new dimension to D&D weapons

D&D weapons have many different traits, depending on the edition. Usually, damage is the most noticeable. If I give my players a list of weapons, they'll usually pick the most damaging weapon they can carry.

But there is also price, weight, and in some editions speed, effectives versus armor, length, size, and different effects due to weapon proficiencies.

There is ONE dimensional that is sorely lacking since OD&D, however: an attack bonus.

In chainmail, weapons cause the same damage, but the to-hit chance is different depending on the weapon and armor. This is NOT simply an effect of armor: some weapons are just better to-hit overall.

For example, giving B/X battleaxes a +2 to hit would be very easy. They'd become better than swords against plate and shield, but still worse in most circumstances. Maybe 2h-swords deserve a +1 to-hit to compensate the "slow" aspect (if you're using that at all). Maybe maces deserve a +1 bonus (and make them weight a bit more than short swords). Etc.

What about unarmed attacks? They could cause 1, 1d2 or 1d3 damage... But it would be just as easy to give them a -2 penalty to-hit. Now attacking a foe in plate with bare hands is very ineffective.

[Notice that, because of how AC works, the bonus would be greater for armor-defeating weapons; these are usually heavy, unbalanced... In short, this is the opposite of speed.]

You could scatter high-quality and low-quality weapons by giving them -1 and +1 to-hit... without altering damage output significantly (probably less than 20%, or a smaller difference than 1d6 to 1d8 damage).

There is almost no effect on game balance.

This is probably the simplest addition you can make to B/X weapons. 

You don't need special rules or subsystems, and you probably can write your attack bonus (if you're using that) with your weapon - which already includes Strength/Dexterity and class bonuses. E.g.: "Dagger +3 [1d4+1], Polearm +6 [1d10+1]".

Unfortunately, the "+1 magic weapon" idea is too strong in D&D; it is expected that weapons only give you bonuses to hit if they are magical (it would be a good idea to mix things up here too: a magical weapon with +2 to-hit and +4 damage, for example, something 5e has embraced).

But giving ordinary weapons discreet bonus/penalties to-hit would already add an entire new dimension to your arsenal.

This is just a random idea for now; but if I ever had to add weapon details to my "minimalist B/X", this is where I would start.

Cyclic history (I) - The sword & sorcery paradigm of civilization downfall

“Civilized men are more discourteous than savages because they know they can be impolite without having their skulls split, as a general thing.” ― Robert E. Howard

There are two popular conceptions of history that I see everyday: I'll call them "progressive " and "conservative", but feel free to correct me if you know better terms. 

"Progressive history" believes society advances (if irregularly), somewhat like technology. There are ups and downs, but there is also a right path to march forward, and those who fail to see that are barbarians "on the wrong side of History". 

"Conservative history" believes History is not a march forward, but a series movements bringing us closer or farther from some center (usually created by a deity). Tradition should be handled with care, and those who fail to see that are degenerates and heretics.

Another possibility is "Regressive history", the belief that everything was better in ancient times. There is some of that in Hinduism, Taoism and the Garden of Eden, but it is not a common perspective of history nowadays. People often see their youth as the golden years, but the medieval period as "the dark ages".

The sword & sorcery paradigm of civilization downfall, found in the writings of Howard, Lovecraft and Moorcock, tells a different story...

“The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents... some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new Dark Age.”

― H.P. Lovecraft

“Barbarianism is the natural state of mankind. Civilization is unnatural. It is the whim of circumstance. And barbarianism must ultimately triumph”

― Robert E. Howard

Within this paradigm, history is cyclical (this is also a theme in Hinduism and Plato, as far as I know.) Cultures go from barbarianism to civilization, but civilization becomes decadent until it destroys itself, returning to barbarianism. 

We could divide this in five stages, as exemplified by Conan characters: savage (e.g., the Picts), barbarian (e.g., Conan and the Cimmerians), civilized (e.g., Aquilonia), decadent (e.g., Stygia) and ruined (extinct societies like Lemuria and Atlantis). I think I read the idea in some old version of RuneQuest first, but it is common in many RPGs.

(Note: it is also possible to have utopia as an alternative to the kinds of societies delineated above - e.g., Satya Yuga, the Garden of Eden, Avalon, etc. This is uncommon in S&S settings; they appears mostly as mythical, distant or extinct places, such as the original home of Yag-Kosha. A PC or even NPC from such origin should be very rare).

Howard seems to favor barbarianism, as mentioned above, but maybe this is because he's telling so many stories from the barbarian point of view (even Conan eventually becomes king of Aquilonia, in a way choosing civilization over barbarianism). 

I prefer to look at it in a cyclical manner: barbarianism will often "ascend" to civilization, but civilization plants the seed of its own destruction. 

(The Lovecraft quote also explains why: knowledge is dangerous, and too much progress will bring us back to "dark ages". The idea that knowledge/power brings madness/corruption is also common in S&S and dark fantasy in general.)

This is an important point, because it's easy for us to see civilization as the epitome of society. When we think of it in terms of cycles, we can see any position is relative. Each society judges itself superior to others, and see other societies in comparison with their own. Conan sees civilized folks as degenerate already, while someone from a decadent civilization (say, Moorcock's Melniboné) would see Aquilonians (or "the young kingdoms") as ignorant barbarians.

On the other hand, an individual can see its own culture with critical eyes. For example,  you might belong to a decadent culture and denounce its excesses publically. This might turn you into an outcast or pariah.

In addition, cultures are not monolithic. You could have a culture where the elites are incredibly decadent but the poor still try to maintain some decency, for example, or vice-versa. Different groups could exist in the same nation or city. Rulers can preach morals despite living decadent lives, or conversely they can breed corruption in the population while maintaining civilized lives themselves.

Once you break free of this "barbarian is better" or " civilization is better" paradigm, things becomes much more interesting. Instead of good against evil or Law against Chaos, you get meaningful choices and shades of gray. A PC could come from any kind of society (although PCs from savage and ruined ones will be rarer), with pros and cons. 

And we could reflect on demographics, laws, customs, magic and science in each kind of society, for easy and fun world building... 

Which I plan to do soon.

The minimalist beauty of D&D's "Dragon Quest Game"

First, notice there are several products with similar names; in this post, I'm talking about Dungeons & Dragons: Dragon Quest Game.

Contents: "32 page rule book, 24 page adventure book, 4 page booklet, fold-out game board, 4 sheets of cardstock fold-up figures, 6 plastic minis, 6 metal minis, 7 dice, 180 cards" (source).

This is not a "proper" RPG, but a board game for children 10-12 years old who never played D&D.

Still, I found the game immensely fun - despite being "too old" for it and playing GURPS regularly at the time!

And I introduced quite a few people to RPGs with it. I wish I still had a copy to try with children and newcomers.

Today, after being hit by nostalgia out of nowhere, I went online to take another look at the game.

It is apparently less famous than I thought - I found few reviews and it doesn't seem easy to buy.

Anyway, this games is probably lacking as a board game or RPG - the rules are vague, incomplete, and apparently unbalanced. We probably made it work due to experience with other RPGs. 

But...

I have to admire the sweet minimalism of the game.

source.

The rules book has 32 pages, and is full of beautiful TSR art. 

The actual rules are very lean: almost everything is basically "roll under your ability score" (the usual six abilities).

Dwarves can find secret doors rolling under Wis. Halflings hide and thieves deal with traps rolling under Dex. Elves are just wizards with better fighting.

There are no saving throws - a PC affect by poison must roll under Constitution or die, etc.

THAC0 is replaced by a "fighting score", basically 20-level. So a 3rd level MU has a fighting score of 17 - which is better than most versions of D&D, but he can only use small weapons.

Spells do not have levels. You just pick a number of spells equal to your level plus Int or Wis mod. Magic-users pick before elves. I love this scheme.

No XP either - surviving a dungeon (which isn't easy) gives you a level, period.

There are no HD, just HP (6 per level for clerics, etc.).

source.

Treasure and encumbrance are abstracted - each PC can carry two cards (except backpacks allow you to carry more stuff), some treasure cards can be traded by equipment, etc.

Random encounters are drawn from a deck of cards, prepared beforehand for each dungeon.

The cards might be the best thing about this game - full of (not always appropriate) TSR art, they are much better than the 5e versions!

It also had plastic/metal PCs and paper figures for monsters and doors, and a single board that could be slightly adapted for different dungeons.

While I prefer "theater of the mind" RPGs, all these components were great for introducing people to the hobby, and fun to play with.

Lots of interesting ideas that could be applied to ANY version of D&D are scattered through the game: for example, the reaction table takes into account that lawful creatures are more likely to be helpful (which makes more sense here since PCs are never chaotic).

There are a few missed opportunities for balance and fun. Some treasure cards could have different effects (e.g., trade for TWO equipment cards), plate armor (or additional items) could affect movement, etc. The special cards are just random luck (nothing the player or PC can do except hope for a good result), and Charisma apparently serves no function in the game.

This game is introductory and always errs on the side of simplicity.

The adventure book has three dungeons and advice to build your own - and even blank cards for the DM to fill!

It also contains some horrible DM advice (e.g., fudge your rolls, ignore random encounters occasionally, and so on).

All things considered, this was a fun introductory game. 

It was released in 1992, but contained ideas that would come back in 3e, 4e and 5e (e.g., everyone has a similar fighting bonus, saves rely on abilities) and even OSR games such as TAAC and The Black Hack (almost everything is "roll under ability").

It makes me wonder if someone could have started with this game and then moved to D&D... only to realize THAC0 charts, percentile thief skills and saving throws did little to improve the game!

Despite being incomplete and not that balanced, I think this is a fun little game - and a bit ahead of its time in many aspects.

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Old School "Tiers of play"

The idea of "tiers of play" is popular in 5th edition circles. The 5e DMG describes the following tiers:

* Levels 1-4 - Local heroes.

* Levels 5-10 - Heroes of the Realm. 

* Levels 11-17 - Masters of the Realm. 

* Levels 17-20 - Masters of the World.

The main criteria is spells; level 3, 6, and 9 spells are acquired in each tier beyond the first. These are significant steps, as the difference between levels 2 and 3 is smaller than level 3 and 4 (or at least that is the idea). Fighters get extra attacks at similar points, which is a good idea.

In old school play, there are multiple distinctions: "basic", "expert", "name level", "master", immortal", etc. There are differences between OD&D, Basic and AD&D. But overall, I think you could say that:

* Levels 1-3 are for "basic" heroes (1-3 is included in Holmes, B/X). They explore dungeons. Wilderness is too dangerous for now...

* Levels 4-8 are for "expert" heroes - wilderness explorers. Everyone has enough HP to be almost impervious to a single-hit kill from a soldier with a sword. Mages get fireball on level 5. AD&D gives extra attacks for Fighters/Warriors by this tier. Thieves get read languages.

* Levels 9-14 are for "conquerors" - domain management. Most classes gets baronies, followers, build towers, etc., at this point. Epic spells are acquired (raise dead in BECMI, teleport). Fewer HP per level (but more HP per XP). B/X stops at 14th.

Levels 15 + - are for "advanced" heroes (or "companion" rules). These guys are legends. You eventually get 9th-level earth-shattering spells such as "Wish". You can go up to 36 and beyond with BECMI but I find this unnecessary and redundant. In any case, the sky is the limit - you might become a demi-god.

As I mentioned in the link above, the maximum number of levels is purely arbitrary.

My own games usually stop at level 10 and I don't go into domain management often anyway. Dark Fantasy Basic stops at level 10, for example (avoiding the wonky HP progression mentioned above), but has some notes on going to level 36.

However, using 20 levels fits very well with the d20. And counting in fives is intuitive, so I like to think of levels 5, 10, and 15 for each tier "advancement".

Point-buy D&D (OSR)

I have played point-buy systems for decades. 

In some of these systems, you choose your abilities scores, powers, perks, etc. by spending a limited amount of points - instead of rolling dice and picking a class.

Point-buy mechanics are not uncommon in D&D; even in OD&D (IIRC) you could reduce one ability score to improve another. Later on, you had proficiencies to choose. 

In modern D&D, you get to pick your ability scores (and sometimes skills) with points too.

The best thing about this is that you can customize your character however you like. 

Do you want a spell-less ranger, nature paladin, witcher, white mage, etc.? Easy to do without multiclassing rules.

In systems like Runequest or Savage Worlds, you don't even need classes; you just create the character you imagine.

The main problem, of course, is analysis paralysis.

[Another downside is that all PCs of the same class become "optimal" and "samey" if you don't introduce some randomness].

Too much choice becomes burdensome. At the very least, you'd need a few examples or templates to help players out, unless they are familiar with the system (with that said, I played such systems for decades without much issue).

Anyway, I have often wondered if old school D&D could be easily reduced to a point buy system - probably after playing Lamentations of the Flame Princess, which uses a similar system for skills.

by James West.

Ideally, we'd have a number of things to "buy" with a similar cost. 

Let's start with 3 points per level (maybe 5 on level 1). You can assign them to (no more than one point per level to the same ability/skill/etc.):

- Attack bonus.
- Saves (bonus apply to all saves).
- Ability scores improvements
- Skills (1-in-6 otherwise).
- Spells (1 point per spell).
- Spell-casting.
- Turn undead.
- Feats/features.

Some entries deserve special consideration.

Attack bonus probably requires at least 1/3 of your current level, to keep in line with old-school mages.

Saves are the same (no matter if using a single save or more than one).

Ability scores improvements enhance your abilities, no matter how you define them in the first place (3d6 in order, standard array, etc.). To balance things out, I'd probably use WotC modifiers, i.e., +1 for 12-13, +2 for 14-15, +3 for 16-17, etc.

Skills replace thief skills but also ranger stuff (forage, hunt, directions). Everyone starts with a 1-in-6 chance, it becomes 2-in-6 by spending a point etc. 6-in-6 means you roll 2d6 and only fail if both dice get 6 (which means about 97% chance of success).

I'd reduce thief skills to five or six (see below).

Spell-casting means your MU level. Spellcasting 3 means you cast as a 3rd level MU. You still have to learn the spells, and you probably need at least the same number as you spellcasting (e.g., at least 3 spells for spellcasting 3).

To Turn Undead you roll 1d6 and must beat the target's HD by 4 or more. TU 2 means you roll 1d6+2, etc. A margin of 8 or more means destruction.

Feats are various perks, including all existing features. Some of them could cost more than 1 point (e.g., multiple attacks) and they might be limited (e.g., one for every three levels) to reduce complexity. You can find many examples in Old School Feats - they'd cost 2 points each.

Let's try to create a character - say, a 6th level thief, with 20 points - that will feel similar to the original version.

- Attack bonus: +3.

- Saves: +3.

- Skills: +12 (3-in-6 for six skills).

- Feats: +2 (backstab or read languages).

This is pretty close to B/X. 

What about a fighter?

- Attack bonus: +6.

- Saves: +6.

- Ability scores: +4 CON (for the extra HP).

- 4 extra points to spend as needed - probably a feat giving him an extra attack.

Eh, not perfect. The attack bonus is closer to AD&D than B/X, but I like the AD&D progression better anyway.

Cleric:

- Attack bonus: +3.

- Saves: +3.

- TU: +6.

- Spell-casting: 4.

- Spells: 4.

Close enough (I prefer the BECMI progression for cleric spells). 

If the cleric has some taboos, he might get an extra point or two, but his budget is pretty tight.

Magic-user:

- Attack bonus: +2.

- Saves: +2.

- Spell-casting: 6.

- Spells: 6.

- 4 extra points to spend as needed.

I like it. Maybe the MU can get some Lore skill, etc. 

The fact that the MU becomes stronger at lower levels and weaker at higher levels (fewer spells) is a fortunate consequence of this system.

Notice that this assumes no classes - so, same XP for everybody. Also, same HP - unless you get a CON bonus, etc.

This means the MU needs some nerfing.

The fighter loses some unique skills (wearing all weapons and armor - unless you want to count those as feats or, conversely, taboos), but gains more points to spend on abilities and features.

The cleric will be fine. It is powerful enough already.

The thief will probably need to specialize in three or four skills (and maybe they can be reduced to find, notice, climb, tinker, and stealth; with other skills such as lore, healing and nature added to other classes).

Overall... I think this is doable. 

This allows you to create a paladin or ranger (just add a nature skill) with relative ease, and to customize your own character/class.

"Racial" features can be bought by level 1, with humans getting extra points to spend.

Come to think of it, this could be the basis for an updated version of Old School Feats someday. Or an entirely new thing...

EDIT: Just found out this is a thing in AD&D 2e. The 2e DMG has a class-creation system, which is not quite I'm doing here, but  Skills and Powers contains an actual point buy system that is much harder, but still very cool. This from that books description:

About Point-Based Characters. The idea of point-based RPG characters dates back to at least Melee (1977), the predecessor to The Fantasy Trip (1980). It was popularized by Champions (1981) and has since become a mainstay of the roleplaying industry.

However, even in 1995, the idea still hadn't been officially incorporated into AD&D, which instead focused on random rolls to generate characteristics, linked with rigid class and level structures that didn't give players any room for variance in their characters. The closest that AD&D came to point-based characters was in Unearthed Arcana (1985), which offered some alternative methods for rolling lots of characteristic dice to try and generate a specific character class that the player was seeking. AD&D second edition (1989) similarly provided some methods to let players add extra dice to certain characteristics during character generation.

Skills & Powers dramatically changed this by offering a point-buy system that let players not only purchase characteristic points and proficiencies, but also allowed them to choose which class abilities that they wanted to buy. It allowed considerable variation, and thus players could have characters with "out-of-class" weapons, or even a Conan-esque fighter who could both fight and move silently. Skills & Powers even included traits (advantages) and disadvantages - two notable elements of point-based character systems that help to add detail and depth to characters.

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