The Shadow People (book review)

Thoughts draw them. They are sensitive, they pick up something from us, they can track us by our thoughts as dogs can track by scent. Angry or disturbed or painful thoughts attract them most. That is why, in the old stories, somebody who had been "ill-sained" was particularly liable to capture by Otherworld denizens. And yet, for all their sensitivity, there could scarcely exist beings more primitive, rude, nearer to the archaic clay. They are not all alike.

There are three kinds of them, the gray, the black and the green. Green is the worst, but I have seen some white ones, too. I think that was underneath Merced. I wandered for a long time before I came out.

They dwell in a strange world, one of roaring waters, bitter cold, ice-coated rocks and fox fires glowing in the dark. They call our world the Bright World, the Clear World, or Middle-Earth. Their material culture is of the rudest. They have almost no artifacts except the ones they steal from us. Yet their place is home to them: I suppose that is what Kirk meant, in his Secret Commonwealth, when he spoke of their "happy polity". Their atter-corn is their one great luxury—that, and human flesh.

- "The Shadow People" by Margaret St. Clair

This is a weird book. 

And while it is indeed very much in the weird tradition of mixing horror, fantasy, and sci-fi, what I mean is that it is also a STRANGE book because of a sudden genre twist.

There will be some spoilers below.

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The plot is about a man living in California, during the 1960s, that has to go to find and brave a surreal underworld after his girlfriend gets kidnapped. 

This "Underearth" is populated by evil elves - somewhat between fairy tales and cryptofauna - that want to rule surface eventually.

When the action shifts to the surface world, we suddenly see the world is living in a weird dystopia, probably caused by the elves machinations - in just three years! This is where dark fantasy gives way to sci-fi conspiracy, and the story seems to change focus completely, without much connection to the first part.

But the surreal tone is kept even in the surface. The world has gone dystopian and crazy. The protagonists find the villain eventually, but things don't really get resolved. Well, at least the protagonist can be protected from this social order... by magic?

Maybe the whole makes sense in the weird mix of Californian culture in the 60s: fantasy, hallucinogenics, conspiracy theories, anti-authoritarianism, computers, social unrest, etc. It feels a bit disjointed, but I have to say it is interesting. 

It is somewhat reminiscent of The Futurological Congress in its hallucinatory tone.

It's inclusion in the Appendix N makes sense because the underworld is very reminiscent of the Underdark: dangerous, surreal, magical, endless, populated by evil elves and hallucinogenic mushrooms.

I find the first few paragraphs, reproduced above, incredibly inspiring. 

This has probably been a big influence in D&D's "mythic underworld", and even the drow probably took inspiration from this novel.

In short, this is a curious read. Definitely idiosyncratic. Probably not as D&Dish as other Appendix N books (except for the Underdark part), and not particularly well written, but reasonably short, and certainly worth checking out if these themes interest you.

Read more about the Appendix N and other fantasy books HERE.